Since the 1960s, Lynda Benglis’ work has subverted prevailing ideologies about art, sculpture and their classification. It was a study of the objectification of the self, myself in relation to the subject of the pinup. In the earlier sculpture, she used her signature technique: pouring polyurethane into the corner of her studio, and allowing the effects of gravity to shape the slowly hardening substance, forming its sloping, rounded edges. Lynda Benglis' 1986 minimalist sculpture, "Minerva," measures 55 x 38 x 8 ins. Lynda Benglis was born in 1941, a remarkable figure of American Feminist Art and Post-Minimalism. In eliminating the canvas, Benglis blurred the boundaries between the two previously separate traditions of painting and sculpture. At one point Benglis French-kisses her double inside the monitor. The 40 Best Horror Movies on Amazon Prime, Seth Rogen Logged On to Do Pottery and Hold Ted Cruz Accountable, Kodak Black Releases Track with Lyrics About Trump Commuting His Sentence. Lynda Benglis Is Back — Knots, Pours, Dildos, and All The patron saint of provocation is back with "Early Work 1967-79", her first major New York … Lynda Benglis [Photograph by Arthur Gordon], Artforum Advertisement: [Artforum Piece], 1974, Double page spread from offset printed magazine (Artforum (New York) vol. Lynda Benglisis an American artist best known for her use of poured sculptural forms made from wax, latex, metal, and foam. Premium PDF Package. Here the use of glitter, a distinctly "girlish" material, invites the viewer to consider the work from a gendered perspective, but is simultaneously confrontational about why the viewer makes assumptions about the gendering of the material in the first place. Lynda Benglis (b.1941, Lake Charles, Louisiana) lives and works in New York, New York and Santa Fe, New Mexico. Aluminum, cotton bunting, plaster, silver paint, enamel, and "sparkles" - Cheim and Read Gallery, New York. She is the recipient of a Guggenheim Fellowship and two National Endowment for the Arts grants, among other commendations. Lynda Benglis: Early Work 1967-1979. Lynda Benglis’s portrait of herself scandalized not because it supplanted the phallus but because it ridiculed it. Lynda Benglis is an American artist best known for her use of poured sculptural forms made from wax, latex, metal, and foam. The times were right, and it was a study for that time. Lynda Benglis was born in Lake Charles, Louisiana, in 1941 and graduated from Newcomb College with a BFA in 1964. Now, She’s at Her Most Prolific. Lynda Benglis made several video pieces in the 1970s, when she was working at the University of Rochester and could use the school's equipment. What Could JoJo Siwa’s “Born This Way” TikTok Possibly Mean? Get Into This Lip Sync Even If You Don’t Watch, We’ve got ourselves a bona fide lip-sync assassin on season 13, and her latest performance was the, Kenneth Branagh Will Play Boris Johnson in COVID Miniseries, Wolf Blitzer, Bill Clinton, More Stars and Colleagues Pay Tribute to Larry King. It certainly does.I never called that image a “centerfold.” I did want a centerfold, as it was my intention to do it basically folded out from the center. These oozing, biomorphic forms melted hierarchies and distinctions. Seems like a hard ask during quarantine, but we’ll keep our eyes peeled. LYNDA BENGLIS: EARLY WORK 1967–1979 October 8–December 3, 2020. Lynda Benglis achieved early and lasting notoriety when she appeared in the November 1974 edition of Artforum magazine wearing nothing but a pair of cat’s eye sunglasses and gripping an enormous dildo. In addition to sculpture, Benglis works in video and photography, and has used media interventions (such as a well known ad placed in Artforum in 1974, showing the artist nude with a dildo between her legs) to explore notions of power and gender relations. Lynda Benglis is an artist based in New York, USA, East Hampton, USA, Santa Fe, USA, Walla Walla, USA, Ahmedabad, India, and Kastellorizo, Greece. The resulting forms were both painterly and sculptural. It was the inspiration for Rosalind Krauss' seminal essay on video art, 'Video: The Aesthetics of Narcissism.' Krauss became dissatisfied with Artforum when in its November 1974 issue it published a full-page advertisement by featuring the artist Lynda Benglis aggressively posed with a large latex dildo and wearing only a pair of sunglasses promoting an upcoming exhibition of hers at the Paula Cooper Gallery. and is made of bronze, nickel, and chrome. 13, no. Latex, p… The series ended with a very controversial advertisement in the November 1974 Artforum issue. The momentum inherent in its never-ending form takes the eye on an endless journey. Lynda Benglis is perhaps best-known for the full-colour advertisement she placed in Artforum magazine in 1974, consisting of a nude photograph of herself posing with a large latex dildo. These lighter, wall-mounted pieces resemble knots or folded ribbons, a significant departure from her earthbound pieces. After being refused editorial space in Artforum, an eminent art magazine, the enraged Benglis paid for an advertisement that consisted of a full-page photograph of herself, nude except sunglasses, and masturbating with an oversized double-ended dildo. ", "start recording", and "do you wish to direct me?" For 7,500 (vaccinated) health-care workers. In the same Artforum issue, her sometime video collaborator, the artist and writer Robert Morris, appeared topless in chains – but it was Benglis’s … Benglis's work is noted for an unusual blend of organic imagery and confrontation with newer media incorporating influences such as Barnett Newman and Andy Warhol. Description: Lynda Benglis Lagniappe I 1978 cast pigmented paper, acrylic, sparkles, polypropylene 52 h × 26 w × 11 d in (132 × 66 × 28 cm) Signed, titled and dated to verso 'Lynda Benglis 1978 Proof Lagniappe Series'. Like Now (1973), Benglis' film of the same year, it is self-referential, self-contained, and apparently infinite. Its twisting shapes are heavily reminiscent of organs or intestines. PDF. This work, cast in lead in 1975, was based on an earlier composition created in Benglis' studio. Lynda Benglis was a visiting artist at CalArts in 1973 when she encouraged then-student Susan Mogul to explore video as a medium. All rights reserved. Download PDF Package. “Her extroversion is so extreme that her story leaps from the vacuum around her, over the camera and off the screen entirely.” Lynda Benglis is an American sculptor and visual artist, considered as a pioneer of a form of abstraction in which each work is the result of materials in action, creating sculptures that eschew minimalist reserve in favor of bold colors, sensual lines, and lyrical references to the human body.. Lynda Benglis was born in Lake Charles, Louisiana in 1941. PDF. Critic and curator Elisabeth Lebovici argues that Benglis constantly pursues an "extraordinary undermining operation" in her works. 3-4), 10 3/4 x 12 1/2 in. Download Full PDF Package. Benglis attended McNeese State University in Lake Charles, Louisiana. LYNDA BENGLIS’ THE GRACES: THINKING ART AND FEMINISM AT THE HEPWORTH WAKEFIELD. Bronze, zinc, copper, aluminum, wire - National Museum of Women in the Arts, Content compiled and written by Anna Souter, Edited and revised, with Summary and Accomplishments added by Ruth Epstein. Why was the context of Artforum important to you at the time? Ortuzar Projects and Cheim & Read are pleased to present Lynda Benglis: Early Work 1967-1979.Across three spaces in uptown and downtown Manhattan, this major exhibition includes significant work from the artist’s first decade in the city that proved crucial to the development of her practice. This work is an artist's proof aside from the edition of 26 unique works published by Paula Cooper Gallery, New York. I was glad to hear that she was in agreement. Amy Tobin. The artist's active, even hostile stance, cropped hair, and of course, her penis, do not conform to the conventional guidelines of heterosexual eroticism, some feminists felt she was too willing to make a joke out of deep divisions in the art world, capitalizing on the attractiveness of her own spectacular body. Lead is characteristically hard and heavy, properties that are at odds with the malleability of the polyurethane sculpture on which this is based. Now is the most well-known of these works, and made a significant impact on the field of video art and critical theory. Find more works of this artist at Wikiart.org – best visual art database. Miley Cyrus to Headline ‘TikTok Tailgate’ Before Super Bowl LV. Lynda Benglis Pours One Out As major exhibitions at Nasher Sculpture Center, National Gallery of Art and the Museum of Cycladic Art honour the iconoclastic sculptor, novelist Hermione Hoby … PDF. Lynda Benglisis an American artist best known for her use of poured sculptural forms made from wax, latex, metal, and foam. It was her way of protesting the macho male monopoly of the art scene of the times. Here as in Psi, Greek culture is a source of inspiration - Eridanus is a mythological river. All Rights Reserved. Here, the artist speaks with Bard’s Tom Eccles about the life of that confrontational image. Unlike conventional oil or acrylic paint, the rubber remained in the shape of the artist's spill, preserving her gesture, and needed no canvas. Both images were intended to highlight the absurdity of the sort of hyper-masculinity that dominated the art world. Lynda Benglis’s portrait of herself scandalized not because it supplanted the phallus but because it ridiculed it. If so, what were you saying about Artforum or the art system at large?Was I aiming to say something about the magazine? Lynda Benglis, Now, 1973, The Metropolitan Museum of Art, New York, USA. If you are a young or emergent artist working today, there’s a pretty good chance you hadn’t even been born when Lynda Benglis published her … It caused a storm among readers of Artforum and its editors and is perhaps one of the most important images of its time, if not the second half of the century. Now is the most well-known of these works, and made a significant impact on the field of video art and critical theory. Asked to summarize her artistic ambitions in the 1960s, Lynda Benglis replied, “I wasn’t breaking away from painting but trying to redefine what it was.” 1 She was raised in Louisiana and moved to New York in 1964, where she trained as a painter in the Abstract Expressionist vein. Her work is the subject of a forthcoming exhibition at the National Gallery of Art, Washington, D.C. (2020-2021) and the Nasher Sculpture Center, Dallas (2021). What were you thinking at the time? The series ended with a very controversial advertisement in the November 1974 Artforum issue. Lynda Benglis: Early Work 1967-1979. The overall effect is disorienting, yet sensuous, beckoning the viewer into the self-referential world of the video. Lynda Benglis Redefined Sculpture in the ’60s. I don’t think so, as it was, after all, an artist’s forum, wasn’t it?! And when I did get it right I felt that image as one. In 1974, Lynda Benglis ran an advertisement in Artforum that caused five editors to protest and pack up: she photographed herself naked, taught and oiled, defiantly wielding a … Biography. In 1969, Lynda Benglis began to experiment with pouring liquid rubber latex to make large-scale works such as Contraband. First recognized in the late 1960s for her poured latex and foam works, Benglis created work that was a perfectly timed retort to the male-dominated fusion of painting and sculpture with the advent of Process Art and Minimalism. 1941, Lake Charles, LA) lives and works in New York, NY; Santa Fe, NM; Kastellorizo, Greece; and Ahmedabad, India. From the 1960s onwards, Benglis’ work has engaged with both the physicality and process of material-based practices while simultaneously confronting femininity in the context of a male-dominated art world. Shown alongside collected ephemera from the era is Smile, 1974, a bronze cast of the double-headed dildo that Benglis brandished in her Artforum ad that year, notoriously defying conventions of gender, propriety and genre. The work also challenges our preconceived notions about materials. Benglis’s work created a perfectly timed retort to the male dominated fusion of painting and sculpture with the advent of Process Art and Minimalism. Benglis also did a series of magazine advertisements, where she mocked pin-up girls, Hollywood actresses, and nude female models, with the aim to confront the male belief system. The resulting form is sculptural; it is meant to be exhibited on the floor, and takes up a significant portion of the space in which the work is exhibited. ", "now? Three concurrent exhibitions will be … Memory is as important to the work of Lynda Benglis as any of her artistic materials, including the globular polyurethane foam and wax for which she is perhaps best known. A pioneer of post-minimalism, feminist, and video art, Lynda Benglis rose to prominence in the early 1970s, and has since become known for her aggressively confrontational challenges to accepted social and aesthetic dogmas. 3 (November 1974), pp. How did you react to Krauss and others leaving Artforum to establish October, a publication that rejected both advertisements and glossy imagery? However, I then learned that Pincus-Witten was doing an article on my work and the editor was planning to place a metallized knot on the cover. This paper. Lynda Benglis made several video pieces in the 1970s, when she was working at the University of Rochester and could use the school's equipment. Video (Color, Sound) - Museum of Modern Art. The screen shows the artist standing in front of a monitor, viewing another recording of herself inside it. The work proved incendiary at Artforum both among editors and readers. Career Founding October. Although Lynda Benglis: Water Sources (Storm King Art Center, May 16–November 8, 2015) centered around a selection of her fountains, all of the featured works highlighted the notion of fluidity, with its implicit sense of ebb and flow, a dynamic that applies as much to cultural epochs as to the natural world. Lynda Benglis was about to turn 33, and she wanted her nude self-portrait to run alongside a feature article about her by Robert Pincus-Witten in the November 1974 issue of Artforum. On “Last Day In,” Kodak Black addresses Trump’s presidential pardon. PDF. In the 1980s Benglis continued to work with metal, but added wire, zinc, corrugated aluminium and other lighter materials that could be folded, bent, or twisted. Lynda Benglis achieved early and lasting notoriety when she appeared in the November 1974 edition of Artforum magazine wearing nothing but a pair of cat’s eye sunglasses and gripping an enormous dildo. What were you reading at the time?With regards to reading art criticism I was more interested — and still am — in meeting people directly to discuss ideas. Big Tip/Back Up/Shout Out is a direct monologue to the camera about the economic impossibilities of being an artist, especially as a woman. Obviously much critical discussion subsequently has focused on the male “gaze.” Was that a primary concern?There was no one reason that I made the image. The bottom and two sides are essentially a cast of the space created by the walls and floor. Lynda Benglis, Now, 1973, The Metropolitan Museum of Art, New York, USA. Although Lynda Benglis: Water Sources (Storm King Art Center, May 16–November 8, 2015) centered around a selection of her fountains, all of the featured works highlighted the notion of fluidity, with its implicit sense of ebb and flow, a dynamic that applies as much to cultural epochs as to the natural world. First of all, he’s got some sort of gigantic magical axe. It was her way of protesting the macho male monopoly of the art scene of the times. In eliminating the canvas, Benglis blurred the boundaries between the two previously separate traditions of painting and sculpture. Farther along was an essay on Benglis by Robert Pincus-Witten, then an associate editor of Artforum. Prior to this (in April 1974), you had just used, as an exhibition announcement for a show at Paula Cooper Gallery, an Annie Liebovitz photograph of yourself in Betty Grable pose wearing jeans dropped to your ankles. She earned a BFA in 1964 from Newcomb College in New Orleans, which was then the women's college of Tulane University, where she studied ceramics and painting. Already a subscriber? 37 Full PDFs related to this paper. Download Free PDF. 3-4), 10 3/4 x 12 1/2 in. Three concurrent exhibitions will be … Benglis also did a series of magazine advertisements, where she mocked pin-up girls, Hollywood actresses, and nude female models, with the aim to confront the male belief system. Description: Lynda Benglis Lagniappe I 1978 cast pigmented paper, acrylic, sparkles, polypropylene 52 h × 26 w × 11 d in (132 × 66 × 28 cm) Signed, titled and dated to verso 'Lynda Benglis 1978 Proof Lagniappe Series'. Lynda Benglis is recognised for the sculptures made of poured latex and foam she began making in the late 1960s. Then it became more complicated. In this and other related works, Benglis mixed bright, DayGlo pigments into cans of the latex and then poured the material onto waxed linoleum or directly onto the floor, allowing the substance to be itself, subject to physical laws and gravity. How did you respond to criticism from editors including Rosalind Krauss and Annette Michelson that the work was an “object of extreme vulgarity” and a “shabby mockery” of the women’s liberation movement?I did not care one way or the other; perhaps I thought it was funny that the reaction was so strong. The theme of auto-eroticism is palpable. All the Live Events, Movie Releases, and Productions Affected by the Coronavirus, Here Are All the Movies Delayed Because of the Coronavirus. © 2021 Vox Media, LLC. 1941) first solo presentation with the gallery. In addition to sculpture, Benglis works in video and photography, and has used media interventions (such as a well known ad placed in Artforum in 1974, showing the artist nude with a dildo between her legs) to explore notions of power and gender relations. These oozing, biomorphic forms melted hierarchies and distinctions. (1976) As Krauss acknowledged, Benglis had broken new ground in examining how the artist's voice and image might act as subject, object, and raw material for the artwork. ", Pigmented Latex Rubber - Albright-Knox Art Gallery, New York. The pioneering artist, who came to attention with her poured-latex … This picture appeared in the front of the issue, as an advertisement for the artist's show at the Paula Cooper Gallery. The 2009–2011 traveling retrospective Lynda Benglis visited six venues in Europe and the United States, including the Museum of Contemporary Art, Los Angeles and the New Museum, New York. Lynda Benglis (b. Lynda Benglis Is Back — Knots, Pours, Dildos, and All The patron saint of provocation is back with "Early Work 1967-79", her first major New York … First recognized in the late 1960s for her poured latex and foam works, Benglis created work that was a perfectly timed retort to the male-dominated fusion of painting and sculpture with the advent of Process Art and Minimalism. For feminist scholar and art historian Amelia Jones, Fallen Painting is about "the depravity of the fallen woman", and resembles a "prone victim of phallic male desire. Like the Abstract Expressionists, she welcomed the unpredictability of this process. It has been argued that the magazine format, and Artforum in particular, is part of the work, that it is a communicative act — a performance, if you like — within that context. This whole episode is really about Siegfried and his moral compass, which is the Greenwich Mean Time of moral compasses. A pioneer of post-minimalism, feminist, and video art, Lynda Benglis rose to prominence in the early 1970s, and has since become known for her aggressively confrontational challenges to accepted social and aesthetic dogmas. The artist poured latex rubber pigment in brightly-colored hues onto the floor of her studio. They were out of another century. Eridanus, a knot-like form, hovers over the surface of the wall with the apparent lightness of a paper flower. In this and other related works, Benglis mixed bright, DayGlo pigments into cans of the latex and then poured the material onto waxed linoleum or directly onto the floor, allowing the substance to be itself, subject to physical laws and gravity. She takes the process a step further, making a sculpture out of paint. Lynda Benglis Several decades ago, Lynda Benglis achieved fame and notoriety by placing a full-color ad in ArtForum that consisted of a photograph of herself nude except for a large strap-on dildo. ©2021 The Art Story Foundation. If you are a young or emergent artist working today, there’s a pretty good chance you hadn’t even been born when Lynda Benglis published her infamously naughty ad in Art… American Sculptor, Painter, Conceptual and Performance Artist, This work is around 30ft long and dates from a breakthrough period in Benglis's career. Lynda Benglis Several decades ago, Lynda Benglis achieved fame and notoriety by placing a full-color ad in ArtForum that consisted of a photograph of herself nude except for a large strap-on dildo. It was a self-sufficient artwork. In 1969, Lynda Benglis began to experiment with pouring liquid rubber latex to make large-scale works such as Contraband. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. It’s now exactly 40 years since you published the famous image of yourself photographed with the double dildo. Summary of Lynda Benglis Though best-described as a sculptor, Lynda Benglis is impossible to align with a single movement or medium. The advertisement was in part a response to an earlier ad by her friend, Robert Morris, who featured an equally sensational image: himself, naked from the waist up, bound in S&M regalia. As Richard Meyer has put it, what was particularly shocking about the image was "its refusal to fall comfortably into either a feminist critique of pornography or a pornographic critique of feminism". 3 (November 1974), pp. It’s finally time for the first elimination of the season, but first we must endure the first acting challenge of the season. The validity of much of her work was questioned until the 1980s due to its use of sensuality and physicality. In seeking to minimize her control over the work, her process is aligned with that of action painters (Pollock, for example, or Helen Frankenthaler, who put their canvases directly on the floor and dripped or poured the paint directly over it). Lynda Benglis is recognised for the sculptures made of poured latex and foam she began making in the late 1960s. [Internet]. Forty years ago this month, Lynda Benglis published what is certainly the most famous advertisement in Artforum history. The prolific interviewer worked on his Ora TV series up until his death. Free PDF. She reinvented art forms as a pioneer creating sculptures out of paint, melted wax, and latex, thus blurring the boundaries between painting and sculpture. For over six decades, Benglis has consistently challenged artistic conventions to produce an oeuvre that is unrivalled in its formal range and material richness. Many are sharing their best King clips on Twitter. Her work is the subject of a forthcoming exhibition at the National Gallery of Art, Washington, D.C. (2020-2021) and the Nasher Sculpture Center, Dallas (2021). After being refused editorial space in Artforum, an eminent art magazine, the enraged Benglis paid for an advertisement that consisted of a full-page photograph of herself, nude except sunglasses, and masturbating with an oversized double-ended dildo. The work (it’s been called an “advertisement,” but it is actually an artwork) was situated within the context of Artforum magazine, which was running an article on your work by Robert Pincus written in that month’s issue. One of a series of works named after letters of the Greek alphabet, Psi is a sculptural knot made from various materials. and is made of bronze, nickel, and chrome. 1941) has always been interested in the idea of transformation. Download PDF. See available sculpture, prints and multiples, and paintings for sale and learn about the artist. Last season’s champion Ariel Robinson has been charged in the death of a child. "Lynda Benglis Artist Overview and Analysis". Just a couple of years before, Germaine Greer had published The Female Eunuch. Lynda Benglis (b.1941, Lake Charles, Louisiana) lives and works in New York and Santa Fe. You’ve called the Artforum image a “centerfold.” Was it directed explicitly at the use of women’s bodies in magazines?I realized the old-fashioned pinup that I did was not clear, as I overheard a woman coming into Paula Cooper’s gallery saying, “Who did that to her?” So I wanted an image that “looked back at you” … ! A short summary of this paper. As Susan Richmond points out, "each pour was the product of a complex choreography, necessitating a balance of spontaneity and precision, not to mention physical endurance, as the artist frequently wielded five-gallon cans of the pigmented medium." Lynda Benglis resides in New York, Santa Fe and Ahmedabad, India. In 1964 Benglis moved to New York. Forty years ago this month, Lynda Benglis published what is certainly the most famous advertisement in Artforum history. Lynda Benglis (b.1941, Lake Charles, Louisiana) lives and works in New York and Santa Fe. In 1968, she began pouring latex or polyurethane foam onto the floor of her studio and into the corners. The 17-year-old rainbow-lover officially came out as gay, confirming fans’ suspicions. *Sorry, there was a problem signing you up. You\'ll receive the next newsletter in your inbox. A reaction to the phallocentrism of the contemporary art world, it certainly caused a stir. The old biology and business byword is just as true of art, and in the endgame practices of abstract painting in 1960s America, one artist, a young Louisiana transplant named Lynda Benglis, jettisoned the canvas—or any concept of a stabilizing vertical support—and began to experiment with pouring color directly onto the floor. From Benglis's crotch extends a long and meticulously detailed dildo, held in place with her right hand. She took on the rules of the art world with her infamous 1974 Artforum ad, which interrogated the lack of attention paid to work by women artists. In 1974, Lynda Benglis ran an advertisement in Artforum that caused five editors to protest and pack up: she photographed herself naked, taught and oiled, defiantly wielding a … Lynda Benglis' 1986 minimalist sculpture, "Minerva," measures 55 x 38 x 8 ins. Broadcasting Legend Larry King Is Dead at 87. I always thought the image would have made the perfect cover. Log in or link your magazine subscription, Amanda Gorman Geeking Out Over James Corden Won Late Night This Week. A major exhibition presented by Cheim & Read and Ortuzar Projects brings together work that proved crucial to the development of Lynda Benglis’s practice during her first decade in New York. A … Ingrid Sischy later changed the format, saying that it was because of this issue. With updated release dates where available. Unique works published by Paula Cooper Gallery for the Arts grants, among other commendations mythological.. 12 1/2 in magical axe shout instructions and questions, such as Contraband sculptural knot made from,! Currently she lives and works in New York, USA the absurdity of the artist shout instructions and,! Female Eunuch, beckoning the viewer into the self-referential world of the polyurethane sculpture on which is... Louisiana, in Louisiana impact on the field of video art and Post-Minimalism which! 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