37 Full PDFs related to this paper. Locks Gallery "Lynda Benglis: Everything Flows (1980-2013)" encouraged viewers to think of the artist's imposing metalized pleat pieces and intimately scaled ceramic sculptures as closely related bodies of work, despite their significant formal discrepancies. PDF. The resulting form is sculptural; it is meant to be exhibited on the floor, and takes up a significant portion of the space in which the work is exhibited. Although Lynda Benglis: Water Sources (Storm King Art Center, May 16–November 8, 2015) centered around a selection of her fountains, all of the featured works highlighted the notion of fluidity, with its implicit sense of ebb and flow, a dynamic that applies as much to cultural epochs as to the natural world. (1976) As Krauss acknowledged, Benglis had broken new ground in examining how the artist's voice and image might act as subject, object, and raw material for the artwork. Seems like a hard ask during quarantine, but we’ll keep our eyes peeled. If you are a young or emergent artist working today, there’s a pretty good chance you hadn’t even been born when Lynda Benglis published her … The artist's active, even hostile stance, cropped hair, and of course, her penis, do not conform to the conventional guidelines of heterosexual eroticism, some feminists felt she was too willing to make a joke out of deep divisions in the art world, capitalizing on the attractiveness of her own spectacular body. Lynda Benglis’s portrait of herself scandalized not because it supplanted the phallus but because it ridiculed it. “Her extroversion is so extreme that her story leaps from the vacuum around her, over the camera and off the screen entirely.” Three concurrent exhibitions will be … Lynda Benglis [Photograph by Arthur Gordon], Artforum Advertisement: [Artforum Piece], 1974, Double page spread from offset printed magazine (Artforum (New York) vol. Her work is the subject of a forthcoming exhibition at the National Gallery of Art, Washington, D.C. (2020-2021) and the Nasher Sculpture Center, Dallas (2021). Like Pat Steir (Just Looking, Feb. 18, 2010), the artist whose show preceded hers at the Rhode Island School of Design Museum, Lynda Benglis is a creature of the Post-Minimal 1970s.She is probably best known (or notorious) for the full-page ad she took out in a 1974 issue of Artforum in which she posed entirely naked wearing sunglasses and holding a phallus between her legs. Lynda Benglis’s portrait of herself scandalized not because it supplanted the phallus but because it ridiculed it. Throughout the film, these three different versions of the artist shout instructions and questions, such as: "now! Both images were intended to highlight the absurdity of the sort of hyper-masculinity that dominated the art world. Obviously much critical discussion subsequently has focused on the male “gaze.” Was that a primary concern?There was no one reason that I made the image. In 1974, Lynda Benglis ran an advertisement in Artforum that caused five editors to protest and pack up: she photographed herself naked, taught and oiled, defiantly wielding a … The momentum inherent in its never-ending form takes the eye on an endless journey. Lynda Benglis is an American sculptor and visual artist, considered as a pioneer of a form of abstraction in which each work is the result of materials in action, creating sculptures that eschew minimalist reserve in favor of bold colors, sensual lines, and lyrical references to the human body.. Lynda Benglis was born in Lake Charles, Louisiana in 1941. In addition to sculpture, Benglis works in video and photography, and has used media interventions (such as a well known ad placed in Artforum in 1974, showing the artist nude with a dildo between her legs) to explore notions of power and gender relations. Aluminum, cotton bunting, plaster, silver paint, enamel, and "sparkles" - Cheim and Read Gallery, New York. Museum of Contemporary Art, Los Angeles, library collection. Did you expect that reaction?I felt I had set a trap for them. Lynda Benglis was born in 1941, a remarkable figure of American Feminist Art and Post-Minimalism. Lynda Benglis Is Back — Knots, Pours, Dildos, and All The patron saint of provocation is back with "Early Work 1967-79", her first major New York … For 7,500 (vaccinated) health-care workers. Lynda Benglis is recognised for the sculptures made of poured latex and foam she began making in the late 1960s. The series ended with a very controversial advertisement in the November 1974 Artforum issue. In the earlier sculpture, she used her signature technique: pouring polyurethane into the corner of her studio, and allowing the effects of gravity to shape the slowly hardening substance, forming its sloping, rounded edges. It was her way of protesting the macho male monopoly of the art scene of the times. Miley Cyrus to Headline ‘TikTok Tailgate’ Before Super Bowl LV. All Rights Reserved. Lead is characteristically hard and heavy, properties that are at odds with the malleability of the polyurethane sculpture on which this is based. The old biology and business byword is just as true of art, and in the endgame practices of abstract painting in 1960s America, one artist, a young Louisiana transplant named Lynda Benglis, jettisoned the canvas—or any concept of a stabilizing vertical support—and began to experiment with pouring color directly onto the floor. They were out of another century. Lynda Benglis (b. Last season’s champion Ariel Robinson has been charged in the death of a child. The prolific interviewer worked on his Ora TV series up until his death. Here, the artist speaks with Bard’s Tom Eccles about the life of that confrontational image. It certainly does.I never called that image a “centerfold.” I did want a centerfold, as it was my intention to do it basically folded out from the center. It caused a storm among readers of Artforum and its editors and is perhaps one of the most important images of its time, if not the second half of the century. Three concurrent exhibitions will be … The series ended with a very controversial advertisement in the November 1974 Artforum issue. Forty years ago this month, Lynda Benglis published what is certainly the most famous advertisement in Artforum history. Benglis also did a series of magazine advertisements, where she mocked pin-up girls, Hollywood actresses, and nude female models, with the aim to confront the male belief system. All the Live Events, Movie Releases, and Productions Affected by the Coronavirus, Here Are All the Movies Delayed Because of the Coronavirus. The work proved incendiary at Artforum both among editors and readers. What were you thinking at the time? At one point Benglis French-kisses her double inside the monitor. In 1968, she began pouring latex or polyurethane foam onto the floor of her studio and into the corners. In 1969, Lynda Benglis began to experiment with pouring liquid rubber latex to make large-scale works such as Contraband. The artist poured latex rubber pigment in brightly-colored hues onto the floor of her studio. Here the use of glitter, a distinctly "girlish" material, invites the viewer to consider the work from a gendered perspective, but is simultaneously confrontational about why the viewer makes assumptions about the gendering of the material in the first place. The 17-year-old rainbow-lover officially came out as gay, confirming fans’ suspicions. She earned a BFA in 1964 from Newcomb College in New Orleans, which was then the women's college of Tulane University, where she studied ceramics and painting. With updated release dates where available. ", Pigmented Latex Rubber - Albright-Knox Art Gallery, New York. Farther along was an essay on Benglis by Robert Pincus-Witten, then an associate editor of Artforum. Now is the most well-known of these works, and made a significant impact on the field of video art and critical theory. How did you respond to criticism from editors including Rosalind Krauss and Annette Michelson that the work was an “object of extreme vulgarity” and a “shabby mockery” of the women’s liberation movement?I did not care one way or the other; perhaps I thought it was funny that the reaction was so strong. As Susan Richmond points out, "each pour was the product of a complex choreography, necessitating a balance of spontaneity and precision, not to mention physical endurance, as the artist frequently wielded five-gallon cans of the pigmented medium." Unlike conventional oil or acrylic paint, the rubber remained in the shape of the artist's spill, preserving her gesture, and needed no canvas. [Internet]. Eridanus, a knot-like form, hovers over the surface of the wall with the apparent lightness of a paper flower. Get Into This Lip Sync Even If You Don’t Watch, We’ve got ourselves a bona fide lip-sync assassin on season 13, and her latest performance was the, Kenneth Branagh Will Play Boris Johnson in COVID Miniseries, Wolf Blitzer, Bill Clinton, More Stars and Colleagues Pay Tribute to Larry King. What were you reading at the time?With regards to reading art criticism I was more interested — and still am — in meeting people directly to discuss ideas. Free PDF. The validity of much of her work was questioned until the 1980s due to its use of sensuality and physicality. Lynda Benglisis an American artist best known for her use of poured sculptural forms made from wax, latex, metal, and foam. In this and other related works, Benglis mixed bright, DayGlo pigments into cans of the latex and then poured the material onto waxed linoleum or directly onto the floor, allowing the substance to be itself, subject to physical laws and gravity. One of a series of works named after letters of the Greek alphabet, Psi is a sculptural knot made from various materials. Benglis's work is noted for an unusual blend of organic imagery and confrontation with newer media incorporating influences such as Barnett Newman and Andy Warhol. Lynda Benglisis an American artist best known for her use of poured sculptural forms made from wax, latex, metal, and foam. All rights reserved. In 1969, Lynda Benglis began to experiment with pouring liquid rubber latex to make large-scale works such as Contraband. Download PDF. Shown alongside collected ephemera from the era is Smile, 1974, a bronze cast of the double-headed dildo that Benglis brandished in her Artforum ad that year, notoriously defying conventions of gender, propriety and genre. Surface of the space created by the walls and floor we ’ ll keep our eyes peeled the... Early work 1967-1979 how did lynda benglis artforum expect that reaction? I felt I had set a trap them! Bowl LV Ora TV series up until his death Up/Shout Out is a sculptural knot made from wax,,. Art world 1941 ) has always been interested in the death of a paper flower when! King clips on Twitter this work is an artist 's voice can be heard in additional... Dildo, held in place with her right hand recipient of a child of gigantic magical axe overall. Ribbons, a significant departure from her earthbound pieces foam she began making in death. 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