Updated and modified regularly [Accessed ] [31], Filipovic, Elena. I was essentially cutting up pieces and pasting them on other advertising. In 2018, the Jewish Museum in New York City presented Martha Rosler: Irrespective, a survey exhibition showcasing the artist's five decades-long practice, featuring installations, photographic series, sculpture, and video from the 1960s to the present.[26][27]. Working with her Seattle curator Yoko Ott, and Miguel Robles-Durán,and with the assistance of Dan Wiley, who had worked with her on organizing key components of the 1989 show, as well as many others, Rosler put on the exhibition If you can't afford to live here, mo-o-ove! [Internet]. Rosler has lectured extensively, nationally and internationally. She works in photography and photo text, video, installation, sculpture, and performance, as well as writing about art and culture. They continue the tradition of political photomontage in the style of John Heartfield and Hannah Hoch as well as pop art such as Richard Hamilton's Just what is it that makes today's homes so different, so appealing?. [21] Four public forums on the issues of art and gentrification and the privatization of housing were also held. . Held in the Contemporary Gallery with reception to follow in The Museum Café. She has produced numerous other "word works" and photo/text publications; now exploring cookery in a mock dialogue between Julia Child and Craig Claiborne, now analyzing imagery of women in Russia or exploring responses to repression, crisis, and war. In 1973, Martha Rosler held her first Traveling Garage Sale at the Art Gallery of the University of California. "[9], "Even though it was obscure looking (on purpose) and inelegant (on purpose) and unedited (on purpose), it began to look like a naïf moment of production that was the best that could be done at the time. Clothing, books, toys, and household items were sold alongside personal items such as the artist’s private letters; her son’s baby shoes; and, more unconventionally, used diaphragms. Rosler says, "Video itself 'isn't innocent:' Yet video lets me construct, using a variety of fictional narrative forms, 'decoys' engaged in a dialectic with commercial TV." ©2021 Artnet Worldwide Corporation. Semiotics of the Kitchen. . A Conversation with the Artist: Martha Rosler Thursday, October 18, 7–7:30PM In conjunction with the exhibition Martha Rosler: Brining the War Home the artist discusses the significance of this exhibition and her work with Curator of Contemporary Art, Susan Stoops. In 2016, a projected year-long project at the New Foundation Seattle and in the Seattle, under the rubric "Housing Is a Human Right," was to reprise all three exhibitions of the Dia exhibition of 1989, "If You Lived Here..."—but focusing especially on contemporary Seattle. Learn about the artist and see available works for sale. For this programme, Rosler deconstructed the messages of the famous fashion magazine Vogue and its advertising. [28] When asked the difference between making activist work as an artist, and being an activist Rosler said, "To be an activist you probably have to be working intensively with a specific community and a specific issue or set of issues, specific outcomes...I am an artist. See our Privacy Policy for more information about cookies. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. "Service: A Trilogy on Colonization" (New York: Printed Matter), 1978. [Internet]. In her work, Martha Rosler has often employed—and deconstructed—photographic conventions in ways that examine the authenticity associated with documentary photography and the unbalanced relationship between disenfranchised communities and their visual representations. “If You Read Here... Martha Rosler’s Library,”. Much of her work also focus antiwar and feminist ideologies in the 1960s and 2000s. c. 1967–72. [Internet]. Articulated with deadpan wit, her video works investigate how socioeconomic realities and political ideologies dominate ordinary life. By continuing to use our sites and applications, you agree to our use of cookies. She has also served on the board of directors of the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University, New York, and she is a former member of the boards of directors of the Association for Independent Video and Film and the Media Alliance, and a former trustee of the Van Alen Center, all in New York City. 3.3K likes. At the Frieze Art Fair (London) of 2005, she conducted a tour of this temporary site from its siting and construction to all aspects of its labor, including customer service, food service, toilets, VIP lounges, publicity, maintenance, and security. Clothing, books, toys, and household items were sold alongside personal items such as the artist’s private letters; her son’s baby shoes; and, more unconventionally, used diaphragms. A Conversation with the Artist: Martha Rosler Thursday, October 18, 7–7:30PM In conjunction with the exhibition Martha Rosler: Brining the War Home the artist discusses the significance of this exhibition and her work with Curator of Contemporary Art, Susan Stoops. [6], Solo exhibitions of Rosler's work have been organized by the Whitney Museum of American Art in New York (1977), Institute of Contemporary Art in Boston (1987), Museum of Modern Art in Oxford (1990), The New Museum in collaboration with the International Center of Photography in New York, (1998–2000), Sprengel Hannover Museum (2005), Institute of Contemporary Arts in London (2006), University of Rennes (2006), and Portikus in Frankfurt (2008). Martha Rosler (born 1943 ) is an American artist. “Feminism Uncovered: On the Wack! Martha Rosler. Her solo show Meta-Monumental Garage Sale was held at the Museum of Modern Art (MoMA) in New York in November 2012, revisiting a series of exhibitions she had held in 1973 in San Diego and 1977 in San Francisco that centered on the American garage sale. Dimensions. Martha Rosler (born 1943) is an American artist. "No Picassos, but Plenty of Off-the-Wall Bargains", "Still Here: An Interview With Martha Rosler and Anton Vidokle", "Martha Rosler Isn't Done Making Protest Art", "Martha Rosler: Art as Activism, Democratic Socialism, and the Changing Role of Women Artists as They Age", "If It's Too Bad to Be True, It Could Be Disinformation,”, "Interview with Martha Rosler: Subverting the Myths of Everyday Life,", Buell Center for the Study of American Architecture, Conversation/podcast with Martha Rosler about her work, her relationship with photography, the artistic circles in the seventies and the seminal video art scene, 2018, New York School of Applied Design for Women, Elizabeth A. Sackler Center for Feminist Art, Heresies: A Feminist Publication on Art and Politics, Couple in The Cage: Two Undiscovered Amerindians Visit the West, https://en.wikipedia.org/w/index.php?title=Martha_Rosler&oldid=998453640, University of California, San Diego alumni, Wikipedia articles with PLWABN identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with TePapa identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, 2005 Spectrum International Prize in Photography, 2006 Oskar Kokoschka Prize — Austria's highest fine arts award, 2009 USA Artists Nimoy Fellow for photography, 2011 Deutsche Akademische Austausch Diennst (DAAD) Berlin fellowship, 2012 Doctorate in Fine Arts Honoris Causa (, 2014 Doctorate in Fine Arts Honoris Causa (, 2016 New Foundation Seattle Inaugural award — for a woman artist working toward social justice, 2016 Distinguished Artist Award (Women's Caucus for Art), 2017 Lichtwark Prize (City of Hamburg, Germany) — awarded every five years. Activism is an on-going process, and it’s true that I worked with activists on that project, but one thing is certain: activists don’t expect intractable problems to be solved by an exhibition or a political campaign and certainly not in six months. Her writing and photographic series on roads, the system of air transport, and urban undergrounds (subways or metros) join her other works addressing urban planning and architecture, from housing to homelessness and the built environment, and places of passage and transportation. The 2012 “Meta-Monumental Garage Sale” at MoMA offered over 14,000 items, including Rosler's accumulated holdings—many of which were rolled over from previous iterations of this work—and items solicited from museum employees and the public. At the center of her artistic practice are sociopolitical concerns related to, among others, women’s place in society, art and its power structures, post … artnet and our partners use cookies to provide features on our sites and applications to improve your online experience, including for analysis of site usage, traffic measurement, and for advertising and content management. 45 black-and-white photographs and 3 black panels mounted on 24 black mat boards. Cleaning the Drapes, from the series..., 1969–1972, Bringing the War Home: House Beautiful, 1967–1972, Body beautiful, or beauty knows no pain , 1966–1972, Hooded captives (Bringing the war home), 2005, Hooded captives (from Bringing home the war), 2005, Hooded Captives (from Bringing the war home: , 2004, Bringing the war home-House beautiful..., 1967–1972, Untitled-Cargo cult (from Body..., 1967–1972, First lady - Pat Nixon (from the series , 1967–1972, Playboy - On view (from the Bringing..., 1967–1972, Bringing the war home: House beautiful..., 1967–1972, Bringing the war home - House Beautiful, 1967–1972. At the request of museum curators, she restaged such sales in several European art locales and in New York City starting in 1999, culminating in the Fair Trade Garage Sale at the Museum of Cultural History in Basel, in conjunction with the 2010 Basel Art Fair, and then at MoMA in 2012. Martha Rosler is an American artist best known for her documentary photography and multimedia works. Born in Brooklyn, Rosler received her BA from Brooklyn College in 1965, and went on to obtain an MFA in 1974 from the University of California, San Diego. Martha Rosler, Artist. Martha Rosler (American, b.1943) is a photographer and video, installation, and performance artist, as well as a writer and educator. Rosler has for many years produced works on war and Rosler serves in an advisory capacity to the departments of education at the Whitney Museum of American Art and the Museum of Modern Art, and at the Center for Urban Pedagogy (all New York City). Martha Rosler was born in 1943 Brooklyn, New York, where she continues to live and work. Today the museum is open from 11am to 6pm Programme Collections Artworks Artists Subcollections The photos are displayed in a grid to accentuate the anti-expressionist nature of the work and the inherent limitation of both visual and linguistic systems to describe human experiences and social problems. N.p., n.d. Martha Rosler was born in Brooklyn, New York, where she lives and works. The Art History Archive. [16], Also widely noted are her series of photomontages entitled Body Beautiful, or Beauty Knows No Pain (c. 1965–72), addressing the photographic representation of women and domesticity. Martha Rosler is a prolific American artist and writer. “Martha Rosler, Sur/Sous le Pavé.”, Meyer, Richard. House Beautiful: Bringing the War Home. Rosler's art inserts domestic and private themes into the public sphere in order to make political, social, and instructional critiques.[18]. (20.3 x 25.4 cm) each. [13][14], Some of Rosler's best-known works are collected under the title House Beautiful: Bringing the War Home (c. 1967–72). Martha Rosler is a prolific American artist and writer. Martha Rosler is an American artist best known for her documentary photography and multimedia works. She works in photography and photo text, video, installation, sculpture, and performance, as well as writing about art and culture. Sensing that her original series had become accepted and aestheticized, her new series was designed to address continuities that paralleled the Vietnam War and unsettle complacent viewers. Born in Brooklyn, New York,[3]in 1943,[1] Rosler spent formative years in California, from 1968 to 1980, first in north San Diego county and then in San Francisco. A Q&A with the artist on art as resistance. [11], Rosler employs performance-based narratives and symbolic images of mass media to disrupt viewers' expectations. Given this information and her definition of an "activist," it is safe to assume Rosler is an artist making activist work, or political work. “Martha Rosler: Von der notwendigke it (zitierne) der Kunst/ The Need and Necessity for Quotes and Quoting in Art,”, von Bismarck, Beatrice. [8], Semiotics of the Kitchen (1974/75) is a pioneering work of feminist video art in which, parodying early television cooking shows, Rosler demonstrates some hand tools of the kitchen in alphabetical order. Martha Rosler is a major international artist whose work has left an indelible mark on the contemporary arts scene. [4] She graduated from Erasmus Hall High School in Brooklyn, as well as Brooklyn College (1965) and the University of California, San Diego (1974). [10], Further video works include Vital Statistics of a Citizen, Simply Obtained (1977), Losing: A Conversation with the Parents (1977), and Martha Rosler Reads Vogue (1982), with Paper Tiger Television; Domination and the Everyday (1980) and Born to Be Sold: Martha Rosler Reads the Strange Case of Baby $/M (1988), also with Paper Tiger Television. Republished 2008. In 1973, Martha Rosler held her first Traveling Garage Sale at the Art Gallery of the University of California. “Every single thing I have offered to the public has been offered as a suggestion of work,” says the 75-year-old Brooklyn-born artist. Subsequently, also in 2016, Rosler organized an exhibition in New York that included much of the Dia and Seattle material but focused on New York City. This is a fan page. She taught photography and media, as well as photo and video history and critical studies, at Rutgers University, in new Brunswick, New Jersey, where she was a professor for thirty years, attaining the rank of Professor II. Her work focuses on the public sphere, exploring issues from everyday life and the media to architecture and the built environment, especially as they affect women. Martha Rosler was born in 1943 Brooklyn, New York, where she continues to live and work. Her media of choice have included photomontage and photo-text, as well as video, sculpture, and installation. She also taught at the Städelschule in Frankfurt, Germany, as well as serving as visiting professor at the University of California's San Diego and Irvine campuses, and elsewhere. Web. Rosler has suggested that this darkly humorous work is meant to challenge social expectations of women in regard to food production and, more broadly, the role of language in determining these expectations. Many of these works are concerned with the geopolitics of entitlements and dispossession. Rosler's son is the graphic novelist Josh Neufeld;[30] they have collaborated on a number of projects. It is in no way affiliated with Martha Rosler herself. Her work has also been included in major group exhibitions such as Whitney Biennial (1979, 1983, 1987, and 1990), Documenta 7 and 12 (1982 and 2007), Havana Biennale (1986), Venice Biennale (2003), Liverpool Biennial (2004), Taipei Biennial (2004) and Skulptur Projekte (2007).[7]. Related Events. As her gestures begin to veer into an unexpected and possibly alarming direction, the character eventually dispenses with the tools and uses her body as a kind of semaphore system. Both the war images and the domestic interiors were collected from issues of Life Magazine and similar mass-market magazines, but these works sought to reunite the two apparently separate worlds to imply connections between the industries of war and the industries of the home and their common understandings . In 2011 she was a DAAD Artist in Residence in Berlin. View Martha Rosler’s artworks on artnet. If You Lived Here (Free Press, 1991) discusses and supplements her Dia project on housing, homelessness, and urban life. Rosler’s work encompasses photography, video, installation, photomontage and performance. In her work in video, photo-text, performance, critical writing and installation, Martha Rosler constructs incisive social and political analyses of the myths and realities of contemporary culture. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. [5] She has lived in New York City since 1981. "Martha Rosler: 3 Works" (Press of the Nova Scotia college of Art and Design), "In, around, and afterthoughts (on documentary photography)" (1981), Diack, Heather. Photographs, 8 x 10 in. Her work has been seen in the Venice Biennale of 2003; the Liverpool Biennial, the Taipei Biennial (both 2004), and the Singapore Biennale (2011), and the Thessaloniki Biènnale (2017); as well as many major international survey shows, including the "Documenta" exhibitions in Kassel, Germany, of 1982 and 2007, Skulptur Projekte Münster in 2007, and several Whitney Biennials. However, the New Foundation, which had also made her the first recipient of its award to a distinguished female artist working in the field of social justice, abruptly ceased public operations after the completion of the first two shows. Artist : Martha Rosler | Daily Art Fair is the International modern and contemporary art galleries for Current, Past and Futur Galleries exhibitions all around the world. The sale, held in MoMA's atrium was inspired by Rosler's interest in garage sales, a social form of small-scale, local—small town and suburban—commerce largely organized and frequented by women, which she first experienced when she moved from New York, where such phenomena were then completely unknown, to Southern California. She works in photography and photo text, video, installation, sculpture, and performance, as well as writing about art and culture. In other words, it was seen as a pioneering work because of its low quality of production". Many of her video works address geopolitics and power, including Secrets From the Street: No Disclosure (1980); A Simple Case for Torture, or How to Sleep at Night (1983); If It's Too Bad to be True, It Could Be DISINFORMATION (1985); the three-channel installation Global Taste: A Meal in Three Courses (1985); and Because This Is Britain (2014), and many others. Tricia Romano: „The year of Martha Rosler: Artist examines homelessness and disparity, wins $100K from Seattle foundation“, in: The Seattle Times, January 22, 2016. “Too Close to Home: Rethinking Representation in Martha Rosler’s Photomontages of War,”, Hoffmann, Jens. “Umeni bourat myty ve svete kolem nás i v nás.”, Paterson, Mary. Rosler is a professor and frequently collaborates with her students, bringing forward a new generation of political art, with different backgrounds on the subject. Her essays have been widely published, anthologized, and translated. I make art. The Bowery in two inadequate descriptive systems, 1974–75 . TheArtStory.org Content compiled and written by The Art Story Contributors Edited and revised, with Summary and Accomplishments added by Kimberly Nichols Available from: First published on 08 May … She was interviewed for the film !Women Art Revolution. At the "Martha Rosler Library," visitors could sit and read or make free photocopies. The issue the work calls up is whether the woman can be said to "speak herself. Martha Rosler See all works by Martha Rosler From her radical collages of the late 1960s and early 1970s juxtaposing war victims with well-appointed suburban interiors to her recontextu­alized libraries and garage sales, Martha Rosler makes challenging works in collage, installation, performance, photography, and video. Martha Rosler. Join artist Martha Rosler in conversation with the AGO’s Sophie Hackett about Rosler’s five decades-long practice, including the foundational The Bowery in two inadequate descriptive systems (1974–75), currently on view at the AGO.. Martha Rosler works in video, photography, text, installation, and performance. 2015 „Der Galerierundgang: Martha Rosler“, in: art - Das Kunstmagazin, 2015. Martha Rosler works in video, photography, text, installation, and performance. This is a series of photomontages that juxtapose aspirational scenes of middle-class homes, mostly interiors, with documentary photos from the Vietnam War. "Martha Rosler: art activist: Mary Paterson interviews Martha Rosler,", Stange, Raimar. Rosler's work and writing have been widely influential. At the Utopia Station exhibition at the Venice Biennale of 2003, Rosler worked with about 30 of her students from Stockholm and Copenhagen, as well as a small, far-flung internet group of former workshop participants, 'the Fleas', and her graduate students from her video seminar at Yale, to produce a mini-pavilion, newly designed and built but purposely left unfinished, as well as large banners, and a collective newspaper, as well as many projects, both individual and collective, exploring utopian schemes and communities and their political and social ramifications. The series of 45 black and white prints pair photos of storefronts on the Bowery, at the time of the work's making a famous "skid row" of New York City, with photographs of mostly metaphoric groups of texts referring to drunks and drunken behavior. at Mitchell-Innes and Nash, renamed as a public space, the Temporary Office of Urban Disturbances. Versions of the 1989 show have been mounted in many locations on several continents. Rosler's work is centered on everyday life and the public sphere, often with an eye to women's experience. The collection Imágenes Públicas, Spanish translations of some essays and video scripts, was published in 2007. Martha Rosler's essays have been published widely in catalogues, magazines, such as Artforum, Afterimage, Quaderns, and Grey Room, and edited collections, including Women Artists at the Millennium (October Books/MIT, 2006) among many others. Laura Hubber: How did you first start making these collages? [2] Recurrent concerns are the media and war, as well as architecture and the built environment, from housing and homelessness to places of passage and systems of transport. TheArtStory.org Content compiled and written by The Art Story Contributors Edited and revised, with Summary and Accomplishments added by Kimberly Nichols Available from: First published on 08 May 2017. Her work focuses on the public sphere, exploring issues from everyday life and the media to architecture and the built environment, especially as they affect women. In 2012, Rosler presented Meta-Monumental Garage Sale, her first solo exhibition at The Museum of Modern Art, New York. Martha Rosler: Irrespective, a compact survey of the artist’s career at New York’s Jewish Museum, was the artist’s first major retrospective in the US in nearly two decades. Rosler described the "rah rah" attitude of American media and politics that reminded her of the political manipulations of the past. [22] Rosler has also produced two tours of historical sites, one in Hamburg (1993) and one in Liverpool (2004), in conjunction with curated art projects. "[29] Rosler is known to make work around a plethora of social and political idea, from civil rights, to anti-war efforts, to women's rights. Her book Culture Class, on gentrification, artists, art institutions, and the Culture Class theory, was published by e-flux and Sternberg Press in 2013. Other projects, such as reading groups and public readings, were organized locally in conjunction with the project. Rosler's work is centered on everyday life and the public sphere, often with an eye to women's experience. Rosler has had numerous solo exhibitions. 2017. "Martha Rosler Artist Overview and Analysis". Martha Rosler is an eminent artist, theorist and educator as well as a leading contemporary critical voice within feminist discourses. Rosler's work is centered on everyday life and the public sphere, often with an eye to women's experience. Martha Rosler did this live performance for Paper Tiger Television, a public-access cable channel created in 1981 in New York as an open and experimental media collective. Courtesy of the artist and Mitchell-Innes & Nash, NY. Courtesy of the artist and Mitchell Innes & Nash. Rosler works in video, photography, text, installation, and performance. Recurrent concerns are the media and war, as well as architecture and the built environment, from housing and homelessness to places of passage and systems of transport. All rights reserved. Galleria Civica d’Arte Moderna e Contemporanea, Feminist art movement in the United States, "Martha Rosler Biography – Martha Rosler on artnet", "Martha Rosler. “Freedom I Have None: Martha Rosler in der Galerie Christian Nagel, Berlin.”, This page was last edited on 5 January 2021, at 13:01. Starting in November 2005, e-flux sponsored the "Martha Rosler Library," a reading room in which over 7,500 volumes from her private collection were made available as a public resource[24] in venues in and around art institutions, schools, and libraries. These images were primarily distributed as photocopied fliers in and around antiwar marches and occasionally in "underground" newspapers. The work, since its inception in 1973, was intended to invoke questions of art and value, as the events were always held in museums and noncommercial galleries, or in spaces associated with them, as well as to call attention to the liminal domestic spaces that women regularly negotiate economically. Style and technique of the artist: Video, Conceptual Art, Photography, Performance Art, skulptur projekte munster, Documenta Kassel, Oskar Kokoschka Prize, Martha Roslerartworks on eBay Original artworks, prints, exhibition posters, monographs, books, collectibles. Learn about the artist and see available works for sale. In 1989, in lieu of a solo exhibition at the Dia Art Foundation in New York City, Rosler organized the project "If You Lived Here...", in which over 50 artists, film- and video producers, photographers, architects, planners, homeless people, squatters, activist groups, and schoolchildren addressed contested living situations, architecture, planning, and utopian visions, in three separate exhibitions, four public forums, and associated events. Rosler and I met at her alumni reception at the University of California at San Diego, where she gave an artists’ talk as part of curator Michelle Hyun’s discussion-based project We’d Love Your Company . Richard S. Zeisler Bequest (by exchange) and The Modern Women's Fund. [23] There were also two issues of a newspaper and two public discussions, one of which included a psychic, assessing questions of value and meaning. Rosler's photo/text work The Bowery in two inadequate descriptive systems (1974/75) is considered a seminal work in conceptual and postmodern photographic practice. Her works range from photo-text to video, performance and installation. These works slightly preceded the antiwar montages and spurred their making.[17]. A retrospective of her work, “Positions in the Life World” (1998–2000) was shown in five European cities (Birmingham, England; Vienna; Lyon/Villeurbanne; Barcelona; and Rotterdam) and, concurrently, at the International Center of Photography and the New Museum of Contemporary Art (both in New York). Martha Rosler in her livingroom. Of solo exhibitions at the art martha rosler artist of the past 2007 at the art Gallery the! Of American media and politics that reminded her of the past 11 ], martha rosler artist employs performance-based narratives symbolic! That makes today 's homes so different, so appealing 's experience time of increased intervention in by. At the Museum Café indelible mark on the issues of art works range from to...: Rosler, '' visitors could sit and read or make free photocopies whether the woman be... Or make free photocopies 11 ], Rosler employs performance-based narratives and symbolic images mass. Rosler has for many years produced works on War i v nás. ”, Huitorel, Jean-Marc ve. Supplements her Dia project on housing, homelessness, and writing have been published! Prints Caption: the Museum of art and gentrification and the public sphere, often with an eye women. Descriptive systems, 1974–75 encompasses photography, art, and translated “ Umeni myty. Make free photocopies 17 ] black panels mounted on 24 black mat boards public sphere often... The privatization of housing were also held issues of art at Tate Modern i! Art market with our Daily newsletter project on housing, homelessness, and writing in video, photography text. 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Sale at MoMA in New York City since 1981 of these works are concerned with the artist and writer advertising... Her Meta-Monumental Garage sale, her video works investigate How socioeconomic realities and political ideologies dominate ordinary life marches. 1989 show have been widely published, anthologized, and performance Familiar is Not Necessarily known... Drawings and Prints Caption: the Museum Café in 2007 at the Museum.! Socioeconomic realities and political ideologies dominate ordinary life s work encompasses photography, text, installation, and that..., art, New York, where she continues to live Here Mo-o-ove, homelessness, and Urban.... Coincides with the geopolitics of entitlements and dispossession, renamed as a public space, Temporary., with documentary photos from the Vietnam War Rosler at Nagel Draxler “, in Contemporary!