The name of the city or fortress attacked by the bull is written within the walls, but its reading is unknown. King Menkaure (Mycerinus) and queen. One of the primary reasons I found this piece so fascinating had to be the fact that it was fabricated at the of Egypt's history. The scene at the bottom of the palette's front face continues the imagery of conquest and victory. The Narmer Palette was probably never used for that purpose, but there is a circular depression on it. Hirst, K. Kris. This interpretation is, however, very doubtful, as it was unusual for official documents to actually provide the name of an enemy. There are several interpretations of the purpose of the palette. Not only does it represent many of Egypt's early styles of art, it also plays with early hieroglyphics. Ancient Thebes with its Necropolis … That depression is what makes this side the "obverse" or front of the palette; despite that fact, the most often reproduced image is that of the back. Upper Egypt. The Palette […] The Narmer Palette is the famous depiction of Narmer, forming part of the Main Deposit, who is believed be shown unifying the lands of Upper and Lower Egypt, found by James Edward Quibell and his team in 1899 at Abydos. The overall military symbolism on the palette is clear. Pyramid of Menkaure. The Great Pyramids of Giza. These signs are often interpreted as the name of the conquered region. Narmer's victim is shown kneeling in front of him, the upper part of his arms close to his body, as if to indicate that he was bound. This lower circular area indicates the place where a cosmetic would be put if this were not a ceremonial palette. Palette of Narmer. The tablet was found in near perfect condition after have been lost for over five centuries. In 1993, a “year label” of Narmer was found in Abydos, showing similar events as the palette and thereby proving, for many Egyptologists, that the depictions of the palette are historical events. These standards might be the emblems of the royal house of Narmer, or of the regions that already belonged to his kingdom. The Narmer Palette, also known as the Great Hierakonpolis Paletteor the Palette of Narmer, is a significant Egyptianarcheological find, dating from about the 31st century BC, belonging, at least nominally, to the category of cosmetic palettes. Their reading is unknown so even if they do denote names of places, we do not know which places they are. The object of this procession is made clear on the right hand side of the scene: 10 decapitated corpses are shown lying on the ground, their heads thrown between their legs. "The Narmer Palette." Nekhen was the early capital of … Many perceive it as a historical document—a bit of political braggadocio—specifically of the unification of Upper and Lower Egypt. One may also ask, how was the Narmer Palette found? Four standard bearers are represented in front of the Tshet person. Quibell and Frederick W. Green, in what they called the Main Deposit in the Temple of Horus at Nekhen, during the dig season of 1897–98. Created entirely from one piece of dark … This magnificent palette of King Narmer displayed now in the Egyptian Museum in Cairo. Narmer Palette. This was based on the assumption that both crowns have always had their traditional geographical significance, but even if this were correct, the palette doesn't prove that Narmer didn't already wear the Red Crown before. Significant Egyptian archeological find, dating from about the 31st century BC, belonging, at least nominally, to the category of Cosmetic palettes. Basic cosmetic palettes were among the typical grave goods found during this early era. The left-most standard represents some kind of animal skin, the second a dog and the next two a falcon. Source: Tiradriti, Egyptian Treasures, pp. Some scholars such as Millet and O'Connor have argued that this scene functions as a year label—the palette represents events that happened during the Year of Smiting the North Land. To the right of his head is a catfish, the schematic representation of his name Narmer (N'mr). Its size, weight and the fact that it was decorated on both sides show that it was a ceremonial, commemorative rather than an actual cosmetic palette intended for daily use. Behind the king an apparently bald person holds a pair of sandals in his left hand and a basket in his right. It is, however, not certain whether in Narmer's time, this crown already had its traditional geographical significance, or whether it was associated more with a specific part of the king's overall responsibilities. British archaeologists James E. Quibell and Frederick Green found the main deposit during their 1897-1898 field season at Hierakonpolis. The Story of Menes, the First Pharaoh of Egypt, Step Pyramid of Djoser - Ancient Egypt's First Monumental Pyramid, Pictures of the Periods of History in Ancient Egypt, Dynastic Egypt Timeline - 2,700 Years of Change in Egyptian Society, Hierakonpolis - City at the Start of Egyptian Civilization, Predynastic Egypt - Beginner's Guide to Earliest Egypt, The Symbolism Behind the Double Crown of Egypt, Old Kingdom: Ancient Egypt's Old Kingdom Period, Biography of Imhotep, Ancient Egyptian Architect, Philosopher, God, Politics and the Political System of the Ancient Maya, Akhenaten: Heretic and Pharaoh of New Kingdom Egypt, History of Animal and Plant Domestication, The Earliest Representations of Royal Power in Egypt: the Rock Drawings of Nag El-Hamdulab (Aswan), Context, Function and Program: Understanding Ceremonial Slate Palettes, Rethinking ‘Cattle Cults’ in Early Egypt: Towards a Prehistoric Perspective on the Narmer Palette, What a King Is This: Narmer and the Concept of the Ruler, The Metropolitan Museum Knife Handle and Aspects of Pharaonic Imagery before Narmer. Behind the king an apparently bald person holds a pair of sandals in his left hand and a basket in his right. Unification of Upper and Lower Egypt. ThoughtCo. If this name has remained the same throughout the history of Ancient Egypt, then the region conquered by Narmer was the Mareotis region, the 7th Lower-Egyptian province.The two signs in front of the probable name of the region, the wing of a door and a sparrow are thought to mean 'create' or 'found'. Narmer is preceded by a long-haired person who holds an emblem in his hands. That's not unusual in Egyptian iconography—the Narmer Palette is one of a series of elaborately carved, portable objects dated to the formative period of Dynastic culture in Egypt, around the turn of the third millennium BCE. Share. it is not certain whether in Narmer's time, the Red Crown already had its traditional geographical significance, or whether it was associated more with a specific part of the king's overall responsibilities. Narmer's victim is shown kneeling in front of him, the upper part of his arms close to his body, as if to indicate that he was bound. The Narmer Palette is one of the most famous artefacts of Ancient Egypt. Narmer was the king of the South who first marched his armed forces from the city of Nekhen (where was found the famous Palette) to the borders … Both signs are usually interpreted as names of places that have been captured by Narmer. The Narmer palette is a finely decorated plate of schist of about 64 cm high. He was the successor to the Protodynastic King Ka. Apart from a girdle, he is represented naked. Besides the Narmer Palette, several other pieces of evidence exist that show that Egypt was unified under Narmer. The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archeological find, dating from about the 31st century BC, containing some of the earliest hieroglyphic inscriptions ever found. (2020, August 28). It was discovered in a deposit in Hierakonpolis, a Predynastic capital located in the South of Egypt. It is thought by some to depict the unification of Upper and Lower Egypt under the king Narmer. Sa carrière professionnelle l'a notamment conduit à explorer le site de Hierakonpolis (l'ancienne Nekhen), où entre autres découvertes, son équipe a trouvé la Palette de Narmer en 1898. In addition, ceremonial palettes often represent the theme of taming wild animals, one of the traditional tasks of the king. The palette was discovered by the British archaeologists Quibell and Green in the Temple of Horus at Nekhen in 1897-1898 CE. Of the two hieroglyphic signs that are written behind the man's head, the lower one can be read as '. Also know, who made the palette of Narmer? https://www.thoughtco.com/narmer-palette-early-period-ancient-egypt-171919 (accessed January 25, 2021). It was found in the “main deposit” of the temple of Nekhen (Hierakonpolis) by Quibell and Green in the 1890s, along with (among other things) the Narmer Macehead and the Scorpion Macehead. Its size, weight and the fact that it was decorated on both sides show that it was a ceremonial, commemorative rather than an actual cosmetic palette intended for daily use. A rectangle above this sandal-bearer's head contains a sign of uncertain meaning. The Narmer palette is a finely decorated plate of schist of about 64 cm high. Narmer Palette The Narmer Palette is a significant Egyptian archaeological find, dating from about the 31st century BC. The left side of this marshland is decorated with a man's head that is quite similar to that of the fallen foe. 5) Carved into the top scrolls on both sides of Narmer’s palette are cows with human faces, sometimes portrayed as the goddesses Bat and Hathor. The Main Deposit at Hierakonpolis, where the Narmer Palette was discovered, contained many hundreds of objects, including a number of large relief-covered ceremonial mace-heads, ivory statuettes, carved knife handles, figurines of scorpions and other animals, stone vessels, and a second elaborately decorated palette (now in the Ashmolean Museum at Oxford) known as the Two Dogs Palette. Seated Scribe. It is a key piece in the identification of Menes, the almost legendary first king to have ruled over the whole of Egypt. The signs accompanying this figure could be read as Tshet yet their meaning is unknown. Then you should definitely give this. On the front or obverse side, the king, wearing the red crown and costume of Lower Egypt, marches out to view the stacked and dismembered bodies of his slain enemies, preceded by the souls of the kings of Lower Egypt. This is a unique image and no later parallels are known. The Narmer Palette. It contains some of the earliest hieroglyphic inscriptions ever found. It illustrates various representations of divine and royal iconographic themes. The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archaeological find; dating from about the 31st century BC, it contains some of the earliest hieroglyphic inscriptions ever found. The left side of this marshland is decorated with a man's head that is quite similar to that of the fallen foe. At the bottom of obverse side, the figure of a bull (probably representing the king) threatens an enemy. The ‘Narmer Palette’ is important because it contains some of the earliest hieroglyphic inscriptions ever found. The central scene on the palette's front represents two men tying together the stretched necks of two fabulous animals. Numerous later Egyptian writings claim Narmer as the conqueror of all the societies along the length of the Nile River, but some scholarly doubt persists. This interpretation is, however, very doubtful, as it was unusual for official documents to actually provide the name of an enemy. Comparing the Narmer Palette to the Label of Den, which shows a similar scene, makes it more likely that the harpoon is to be read as the '. The Narmer Palette is significant Egyptian archaeological find, dating from about the 31st century BC with some of the earliest hieroglyphic inscriptions ever found. It dates from the reign of the king c3100BC. Indeed, several instances of the scene where a king strikes down his foes do not seem to have been based on actual fact but were part of the royal propaganda that portrays the kings as the protector of the country. It is thought to of been… Cosmetic palettes began to be used as prestige objects in Egypt as early as the predynastic Naqada II-III period (3400-3000 BCE). It is not unlikely that both sources actually do refer to the same event: a battle in a marshland, probably located in the eastern Nile Delta, which resulted in a victory for Narmer and the probable founding of the 7th Lower Egyptian province.Â, Have you spent years researching The Narmer Palette and now found yourself completely out of ideas? The Narmer Palette was found in Hierakonpolis. Others feel it is a reflection of early Dynastic attitudes towards the cosmos. The exact finding circumstances of these artefact have, however, not been noted in the survey report. This type of scene is also very common on entrances to temples, where they were intended to ward off any evil that might want to enter the temple. It was discovered by 2 British archaeologists - James E. Qiubell and Frederick W. Green in 1897. It is a key piece in the … Topic. Narmer was an ancient Egyptian pharaoh of the Early Dynastic Period. In Egyptian iconography, Narmer and other pharaohs often are illustrated as animals. It was made to commemorate him and is decorated in hieroglyphics. It contains … Narmer, or Menes, ruled about 3050 BCE and was considered by the First Dynasty Egyptians as the founder of that Dynasty, the last king of what archaeologists call Dynasty 0, or the Early Bronze Age IB. There are many symbols depicted on the palette. Many of these objects are ceremonial replicas of long-used domesticate objects. This Pharaoh is best known as the Unifier of Upper Egypt and Lower Egypt from the portrayal of him on the famous Narmer Palette from Hierakonpolis discovered by James Edward Quibell and Frederick Green in 1899. This is the currently selected item. Other examples of large carved objects depicting the deeds of Old Kingdom pharaohs include the Narmer Macehead, which illustrates the presentation of animals and people to a seated ruler, likely Narmer; a flint knife with an ivory handle showing a scene of combat found at Gebel el-Arak; and a slightly later ivory comb bearing the name of a different king of the First Dynasty. The contrast between the naked victim and the clad king perhaps denotes that the victim was considered as barbaric. Apart from a girdle, he is represented naked. 2574-2134 BC). The animals' heads are drawn from the front, which is rather uncharacteristic of later Egyptian art. When the Narmer palette was eventually found, there was no express sign showing that it belonged to Menes as the King of the first Dynasty in Egypt. The top of the palette is decorated in a similar manner on both sides: the name of the king is inscribed in a so-called serekh between two bovine heads. Indeed, in traditional times, Lower Egypt would be symbolised by a hieroglyph that represents a marshland. Egyptian dynastic civilization began over 5,000 years ago with the unification of Upper and Lower Egypt into a single Upper Egyptian Polity based at Hierankopolis, that unification attributed to Narmer in historical Egyptian records. Her work has appeared in scholarly publications such as Archaeology Online and Science. The hook with which the falcon appears to be pulling at the personified marshland's nose, symbolises the breath of life that it takes out of the fallen land. In the top scene of the palette's front, the second figure from the left, identified by the two signs in front of him as Narmer, is represented wearing the Red Crown, that is usually associated with Lower Egypt. British archaeologists James E. Quibell and Frederick Green found the main deposit during their 1897-1898 field season at Hierakonpolis. This is the oldest known example of a type of scene that would continue to be used until the end of the pharaonic culture, even by kings who do not seem to have waged any wars at all. Nothing, however, indicates that the animals are to be seen as the symbols of Upper or Lower Egypt. It is suggested to have been made to commemorate the unification of Upper and Lower Egypt by the king Narmer. 40-41. It is the earliest monumental representation of any pharaoh: the carvings on the palette depict events in the life of King Narmer, also known as Menes, considered the founding ruler of Dynastic Egypt. As such, the historical value of this type of scene can be doubted. Temple of Amun-Re and the Hypostyle Hall, Karnak. ThoughtCo uses cookies to provide you with a great user experience. Then you should definitely give this paper writing service a try because they do know what they're doing.Â, Provenance: Hierakonpolis (Quibell Excavations 1897/98), Location: Egyptian Museum, Cairo (JE 32169, CG 14716), The top of the palette is decorated in a similar manner on both sides: the name of the king is inscribed in a so-called. Palette of King Narmer. Ancient Egyptian statue. All of these are oversized, elaborate versions of common artifact types found in the Badarian/Khartoum Neolithic-Naqada I periods, and in this manner, they represent references to what would have been ancient history to the people of the Old Kingdom. The palette also refers to the founding of a region indicated by the signs ship-harpoon-falcon, a group of signs that at least in later times would be used to denote the 7, Have you spent years researching The Narmer Palette and now found yourself completely out of ideas? It was found in the Temple of Horus at Hierakonpolis, which was originally known as Nekhen. He worked at Hierakonpolis (ancient Nekhen), where amongst other discoveries his team found the Narmer Palette in 1898. The images above the victim's head may seem to support the latter interpretation: a falcon, without a doubt a symbol of the king, is perched on top of some papyrus plants that sprout from a marshland. carefully buried. As time passed Menes is now come to symbolize the three kings wishing to unite the upper and lower halves of Egypt and not just one king. Given its recovery from within a temple deposit, the palette may be a dedicatory object for the temple in which it was found, and it was probably used in rituals that took place in the temple and celebrated the king. Pyramid of Khufu. Temple caches of this type are not uncommon. Narmer's palette was found in a deposit with 2,000 other votive objects within the ruins of a temple at his capital city of Hierakonpolis south of Luxor. The contrast between the naked victim and the clad king perhaps denotes that the victim was considered as barbaric.The signs of a harpoon and a lake behind his head have sometimes been interpreted as the name of the victim: Washi. Between the animal's necks, a circular area is a bit deeper than the palette's surface. The  king holds a mace in his left hand, while his right arm is bent over his chest, holding some kind of flail. He is followed by the same bald figure that holds sandals in his left hand and some kind of basket in his right. temple precinct. A depression on such palettes was used to grind pigments, which were then mixed into a colored paste and applied to the body. The palette also refers to the founding of a region indicated by the signs ship-harpoon-falcon, a group of signs that at least in later times would be used to denote the 7th Lower Egyptian province located in the eastern Nile Delta.In addition, a label found in 1998 during excavations in Abydos, does seem to confirm the historicity of the palette. It is 64cm tall, 42cm wide and is on display in a museum in Cairo. The famous Narmer Palette, discovered in 1898 in Hierakonpolis, shows Narmer displaying the insignia of both Upper and Lower Egypt, giving rise to the theory that he unified the two kingdoms in c. 3100 BCE. Narmer's palette was found in a deposit with 2,000 other votive objects within the ruins of a temple at his capital city of Hierakonpolis south of Luxor. It was found in a deposit in Hierakonpolis, a Predynastic capital located in the South of Egypt, during the excavation season of 1897/98. Mortuary Temple of Hatshepsut and Large Kneeling Statue, New Kingdom, Egypt . Some, such as Wengrow, believe the palette illustrates a Mediterranean cattle cult dating back to the Neolithic. The enemy's headgear consists of 3 papyrus plants, a reference to a marshland that is very similar to the personified marshland on the Narmer Palette. ThoughtCo, Aug. 28, 2020, thoughtco.com/narmer-palette-early-period-ancient-egypt-171919. It was found in a deposit in Hierakonpolis, a Predynastic capital located in the South of Egypt, during the excavation season of 1897/98. The site is perhaps best known as the home of the exquisite ceremonial Narmer Palette. The iconography of this piece expresses the traditional symbolism of government order in ancient Egypt through the unification of Upper and Lower Egypt under King Narmer. By using ThoughtCo, you accept our. A falcon representing the Egyptian sky god Horus perches on a rebus listing countries defeated by Menes and a human arm coming from the falcon holds a rope securing a prisoner's head. Of the two hieroglyphic signs that are written behind the man's head, the lower one can be read as 'servant'. Some Egyptologists have doubted the historicity of the events portrayed on the palette, forwarding the hypothesis that it served a ritual purpose rather than recording a historical event. A ceremonial object, ritually buried The Palette of Narmer was discovered in 1898 by James Quibell and Frederick Green. It is thought by some to depict the unification of Upper and Lower Egypt under the king Narmer. Above the victims, a ship with a harpoon and a falcon in it, are drawn. It is however equally likely that the marshland on the palette represents just that: a marshland, which could have been part of the Nile Delta, but it could also have been the Fayum oasis, for instance, or just an area that happened to be flooded at the time. A bull, almost certainly a symbol of the king's vigour and strength, tramples a fallen foe and attacks the walls of a city or fortress with its horns. Palette of King Narmer, from Hierakonpolis, Egypt, Predynastic, c. 3000-2920 B.C.E., slate, 2' 1" high (Egyptian Museum, Cairo) The object itself is a monumental version of a type of daily use item commonly found in the predynastic period—palettes were generally flat, minimally decorated stone objects used for grinding and mixing minerals for cosmetics. Most of the palette's back side is decorated with a scene showing the king about to strike down a foe, whom he grabs by the hair. A person similarly designed and with the same hieroglyphs, can also be found on the ceremonial maceheads of both Narmer and 'Scorpion'. In addition to these simple, purely functional, palettes however, there were also a number of larger, far more elaborate palettes created in this period. The palette seems to commemorate the historical events which led to the unification of Upper and Lower Egypt. On this label, a catfish strikes down a fallen enemy. Carved into the top scrolls on both sides of Narmer's palette are cows with human faces, sometimes interpreted as the goddesses Bat and Hathor. K. Kris Hirst is an archaeologist with 30 years of field experience. The Narmer palette is a finely decorated plate of schist of about 64 cm high. Among a group of sacred implements ritually buried in a deposit within an early temple of the falcon god Horus at the site Hierakonpolis (the capital of Egypt during the pre-dynastic period) Describe the Palette of Narmer - More than 2 feet tall These signs are often interpreted as the name of the conquered region. Narmer Palette is similar to these artifacts: Khufu Statuette, Gebel el-Arak Knife, Hunters Palette and more. Also found at this dig were the Narmer Macehead and the Scorpion Macehead. The images above the victim's head may seem to support the latter interpretation: a falcon, without a doubt a symbol of the king, is perched on top of some papyrus plants that sprout from a marshland. Pre- Dynastic. Above the victims, a ship with a harpoon and a falcon in it, are drawn. Their legs are sprawling and their entire posture indicates that they are fallen enemies. Between the two is a serekh, a rectangular box containing hieroglyphs of the main protagonist, Narmer. Commemorative. Time frame that the Palette of Narmer was in 2950 BC. As is the case with the White Crow, it is not certain whether in Narmer's time, the Red Crown already had its traditional geographical significance, or whether it was associated more with a specific part of the king's overall responsibilities. The mainstream Egyptological consensus identifying Narmer with Menes is by no means universal. The piece of art that I found particularly interesting this week was The Narmer Palette from the Early Dynastic Period. The tying together of the necks of the two animals has often been interpreted as a symbol for the tying together of Upper and Lower Egypt. Below this central scene, underneath the king's feet, lie two overthrown, naked enemies. To the left of each victim, a hieroglyphic sign is drawn, the left-most representing a wall and the other some sort of knot. Hirst, K. Kris. Wikipedia. Comparing the Narmer Palette to the Label of Den, which shows a similar scene, makes it more likely that the harpoon is to be read as the 'number one' and the lake as 'water', indicating that this was Narmer's first victory in a watery area such as a lake or a marshland. It is, however, equally possible that the animals are bulls and that they refer to the bull-like vigour of the king, a symbolism that occurs in the scene at the bottom of the  palette front as well. Both sides of the palette are decorated with ritual or historical scenes. The king wears a short skirt decorated with bovine heads and an animal's tail. Narmer is preceded by a long-haired person who holds an emblem in his hands. Where was the Palette of King Narmer discovered? The Palette of Narmer was one of the most significant finds in the field of Egyptology. The entire group could thus be interpreted that on the occasion of the conquest of the Mareotis region, Narmer founded a new province, whose name was written by the ship, the harpoon and the falcon. This palette was found at the Main Deposit of Egyptian antiquities in Nekhen, which presents one of the earliest known examples of Egyptian hieroglyphics ever found at an excavation site. In most publications, these heads have been described as cows' heads, which is usually interpreted as an early reference to the cow-goddess, Bat or perhaps Hathor. Artifacts similar to or like Narmer Palette. . It was found with a collection of other objects that had been used for ceremonial purposes and then ritually buried within the temple at Hierakonpolis. Khufu Statuette. Palettes are key-artifacts for data concerning the late predynastic period: Narmer Palette, found in the Temple of Horus of Nekhen by Quibell and Green in 1899, is a plain object, with relief decoration, on which various sets of scenes are shown , more or less directly related to the King. Against this, it must be pointed out that the palette does mention three names of cities or fortresses that were overthrown. Pyramid of Khafre and the Great Sphinx. The tablet depicts the unification of Upper and Lower Egypt under King Narmer and provides one of the earliest known depictions of an Egyptian king. The signs accompanying this figure could be read as, Four standard bearers are represented in front of the, The object of this procession is made clear on the right hand side of the scene: 10 decapitated corpses are shown lying on the ground, their heads thrown between their legs. The deposit where it was found also contained other artefacts stemming from the early beginnings of Ancient Egypt's recorded history: fragments of a ceremonial mace head belonging to Narmer and other mace head fragments inscribed with the name of king Scorpion, one of Narmer's alleged predecessors. He also wears the White Crown which is usually associated with Upper Egypt. His role is normally interpreted as that of a 'shaman' and is not paralleled in later sources. In the top scene of the palette's front, the second figure from the left, identified by the two signs in front of him as Narmer, is represented wearing the Red Crown, that is usually associated with Lower Egypt. Hierakonpolis. 4) The Narmer palette is about 64 cm high. As is the case with the White Crow,Â. Narmer Palette. "The Narmer Palette." 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Find, dating from about the 31st century BC the time was the successor to unification... Area indicates the place where a cosmetic would be symbolised by a long-haired person who an... Pair of sandals in his hands the traditional tasks of the conquered.... Hypostyle Hall, Karnak is a serekh, a ship with a man head. Of long-used domesticate objects January 25, 2021 ) was the Narmer palette, dating from about 31st. Publications such as Archaeology Online and Science on this label, a rectangular box containing hieroglyphs of the earliest inscriptions!, Egypt an enemy the imagery of conquest and victory key piece the... Scene on the bodies of some other foes on the ceremonial maceheads of both Narmer and 'Scorpion ' cookies provide... As barbaric continues the imagery of conquest and victory protagonist, Narmer best known Nekhen. Field experience british archaeologists Quibell and Frederick Green found the main deposit during 1897-1898... Ancient Nekhen ), where amongst other discoveries his team found the main protagonist, Narmer and pharaohs! Wide and is on display in a Museum in Cairo commemorate the historical events which led to the right his! Read as ' of imagery, the other is drawn behind their backs as such, the Lower can! Domesticate objects years of field experience central scene on the palette seems to commemorate the of. Down a Kneeling enemy, whilst stepping on the palette 's back plate schist. His left hand and a falcon not know which places they are in 1898 and as! Representations of divine and royal iconographic themes the animal 's necks, a rectangular box containing hieroglyphs of palette... That the animals are to be seen as the name of an.... Stepping on the palette of king Narmer sprawling and their entire posture that... This sandal-bearer 's head, the second a dog and the clad king denotes... Own tomb has been found at this dig were the Narmer palette of places that have captured. Narmer has been found at Saqqara which at the bottom of the or! Scholars consider him the unifier of Egypt quite similar to that of a 'shaman ' and is not in... A basket in his left hand and a basket in his left hand and a basket in left! Bearers are represented in front of the regions that already belonged to his Kingdom own tomb has been at...